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Lost A Leader, Gained An Ace - Artwork

Flt Lt Eric Stanley Lock became an ace on 5 September 1940 when he shot down four German planes over the Thames Estuary in a Spitfire that wasn’t even his. But the victory was bittersweet.

We see him here flying in front of his leader, Hilary Richard Lionel "Robin” Hood, moments before their squadron of 12 encountered a large formation of Luftwaffe bombers escorted by an array of fighters. Both pilots engaged the enemy, but only one survived the battle. Lock gained four kills—two Bf 109s and two He111s—but lost a friend and mentor in the process.

Lt Lock would go on to score a total of 21 kills and 26 destroyed aircraft, making him one of the top RAF aces of World War Two before he went missing in action off the coast of France on 3 August 1941.

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Lost A Leader, Gained An Ace - Artwork
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Research and Concept

Every image created is based on a real-life historic event. To ensure accuracy, extensive research is carried out to piece together every last detail. In-house concept artists, then, work up several visual ideas – using different views, settings, and perspectives – before a final design is settled upon.

3D Modelling and 3D scanning

Once the concept is established, a 3D model is created using computer-generated imagery. Studying every piece of reference material available, Automobilists’ artists, then, digitally rebuild the vehicle from scratch, slowly constructing layer upon layer with painstaking detail – even down to the last coat of paint.

Photoshoot

With pre-production complete, it’s time to go on-location and start shooting photographs. This stage can last for several days and involves crews of up to 70 people, depending on the concept. The highest grade of professional equipment is used to ensure the highest quality and resolution images, and extensively detailed sets are also built when required.

Composition

The last step in the production process involves consolidating the digital assets to form the final artwork. In this phase, the 3D elements are rendered with the photoshoot imagery, and to this composite, additional elements – such as light, smoke, shadows, dirt, flames, and weather – are added, to bring the piece to life. Only with these details included it is time to print and frame.

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Printing technology

We only use the very best Epson fine art printers, and premium Hahnemühle paper due to its fine texture, which guarantees long lasting color and saturation.

Authenticity

Each Fine Art print is special and carries a unique number. Medium and Large Fine Arts are also accompanied by a certificate of authenticity.

Shipping

We ship all medium and large artworks worldwide. Framed artworks are heavy and fragile, please contact us for appropriate shipping and handling options.

Framing

Our framed options comprise a dark brown hand-made oak frame with an embossed matt, anti-reflective glass and adequate packaging for safe transportation. Individual framing options are available upon request.

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