My Childhood Champion - Ferrari 412P - Daytona - 1967 | Fine Art Print
The 412P looked different to the other cars: much curvier, much brighter. All I knew is I wanted this red car to finish well. At the end of the first day, the Ferraris were out ahead – with my favorite, the one driven by Pedro Rodriguez and Jean Guichet, looking strong. I could leave the circuit happy – even if I was far too excited to sleep.
At the crack of dawn, Dad and I were back at the track. I’d hardly slept but I didn’t care. My car was now in third place… Yes! By the end of the race the Ferraris took the chequered flag three abreast. The 412P was battered and bruised. And that’s how I’ll remember her – beaten up beauty; glorious, victorious.
magic behind our work
Research and Concept
Every image created is based on a real-life historic event. To ensure accuracy, extensive research is carried out to piece together every last detail. In-house concept artists, then, work up several visual ideas – using different views, settings, and perspectives – before a final design is settled upon.
3D Modelling and 3D scanning
Once the concept is established, a 3D model is created using computer-generated imagery. Studying every piece of reference material available, Automobilists’ artists, then, digitally rebuild the vehicle from scratch, slowly constructing layer upon layer with painstaking detail – even down to the last coat of paint.
With pre-production complete, it’s time to go on-location and start shooting photographs. This stage can last for several days and involves crews of up to 70 people, depending on the concept. The highest grade of professional equipment is used to ensure the highest quality and resolution images, and extensively detailed sets are also built when required.
The last step in the production process involves consolidating the digital assets to form the final artwork. In this phase, the 3D elements are rendered with the photoshoot imagery, and to this composite, additional elements – such as light, smoke, shadows, dirt, flames, and weather – are added, to bring the piece to life. Only with these details included it is time to print and frame.
We only use the very best Epson fine art printers, and premium Hahnemühle paper due to its fine texture, which guarantees long lasting color and saturation.
Each Fine Art print is special and carries a unique number. Medium and Large Fine Arts are also accompanied by a certificate of authenticity.
We ship all medium and large artworks worldwide. Framed artworks are heavy and fragile, please contact us for appropriate shipping and handling options.
Our framed options comprise a dark brown hand-made oak frame with an embossed matt, anti-reflective glass and adequate packaging for safe transportation. Individual framing options are available upon request.