Piggyback - Porsche 917K - 24 Hours of Le Mans - 1971 | Fine Art Print
There are three Porsche 917s in this image. Number 22, driven by the team of Helmut Marko and Gijs van Lennep, took the trophy with 397 laps. Number 19, piloted by Richard Attwood and Herbert Müller, came in second at 395.
These two 917K’s may have won Le Mans in 1971, but it was number 23 (a 917/20) that won history—and it didn’t even finish. Named the "Pink Pig” for its peculiar body modifications and pink paint job (complete with carving lines), the car was crashed by its driver, Reinhold Joest, halfway through the race.
Porsche, as a brand, dominated Le Mans that year representing more than half of the entries and taking 10 of the 13 finishes, so it’s odd that one of their failures dominated the headlines.
magic behind our work
Research and Concept
Every image created is based on a real-life historic event. To ensure accuracy, extensive research is carried out to piece together every last detail. In-house concept artists, then, work up several visual ideas – using different views, settings, and perspectives – before a final design is settled upon.
3D Modelling and 3D scanning
Once the concept is established, a 3D model is created using computer-generated imagery. Studying every piece of reference material available, Automobilists’ artists, then, digitally rebuild the vehicle from scratch, slowly constructing layer upon layer with painstaking detail – even down to the last coat of paint.
With pre-production complete, it’s time to go on-location and start shooting photographs. This stage can last for several days and involves crews of up to 70 people, depending on the concept. The highest grade of professional equipment is used to ensure the highest quality and resolution images, and extensively detailed sets are also built when required.
The last step in the production process involves consolidating the digital assets to form the final artwork. In this phase, the 3D elements are rendered with the photoshoot imagery, and to this composite, additional elements – such as light, smoke, shadows, dirt, flames, and weather – are added, to bring the piece to life. Only with these details included it is time to print and frame.